Invited Talks

Guest Speaker, “Fakes, Forgeries, & Imitations in the World of Chinese Ceramics,” for ARTH 391: Art Forgeries, Queen’s University (Kingston, ON). February 27, 2024

Conferences Organized

Operations, Committee Member, “Context & Meaning XXIV,” Queen’s University (Kingston, ON). February 9-10, 2024.

Admin, “Global Legacies of the Arts & Crafts conference,” Queen’s University in partnership with the Bard Graduate Center (New York, NY). December 14-15, 2023.

Committee Member, “Indigo: Material Histories of a Color,” Bard Graduate Center (New York, NY). November 12, 2020.

Conference & Symposium Papers

“Tonsorial Transformations: Women’s Sokuhatsu in Nineteenth-Century Meiji Japan (1868-1912).”Paper for conference, Fashion, Body, and Culture. London Center for Interdisciplinary Research. January 29, 2022.

“Technical Artistry: Industrialization and Ceramics Education in Meiji Japan.” Paper for workshop, The Craft History Workshop. December 1, 2021.

“Tonsorial Transformations: Women’s Sokuhatsu in Nineteenth-Century Meiji Japan (1868-1912).” Paper for symposium, The 2021 Qualifying Paper Symposium. Bard Graduate Center. May 27, 2021.

“’Deepening the Blue’: Examining Indigo-Dyed Buddhist Sutras from East Asia.” Paper for symposium, Indigo: Material Histories of a Color. Bard Graduate Center. November 12, 2020.

“Porcelain Design Through History.” Research poster for undergraduate research fair, Victoria College Research Day. University of Toronto. March 26, 2018.